“Scroll down to the end of the article to listen to music.”

Introduction

It was a rainy afternoon when I first heard “I’ll Need Someone to Hold Me (When I Cry)” playing on the radio. The song’s heartfelt melody and deeply personal lyrics immediately caught my attention, bringing a sense of comfort and understanding during a difficult period in my life.

About The Composition

  • Title: I’ll Need Someone to Hold Me (When I Cry)
  • Composer: Bill Rice and Jerry Foster
  • Premiere Date: 1972
  • Album/Opus/Collection: Heartaches and Tears
  • Genre: Country

Background

Written by Bill Rice and Jerry Foster, this song was brought to life by Jan Howard in 1972. The composition came during a time when Howard was dealing with personal grief, which added an authentic depth to her performance. The song quickly climbed the charts, becoming one of Howard’s most beloved tracks and a staple in the country music genre.

Musical Style

“I’ll Need Someone to Hold Me (When I Cry)” features a classic country sound characterized by its use of steel guitars, fiddles, and a steady rhythm section. The song’s simple yet poignant arrangement allows the emotional weight of the lyrics to take center stage. The combination of Howard’s raw vocal delivery and the song’s melancholic melody creates a powerful, evocative listening experience.

Lyrics/Libretto

The lyrics poignantly explore themes of loneliness, vulnerability, and the need for human connection. Lines such as “When the nights get too lonely / And my thoughts come alive” resonate deeply, capturing the essence of emotional turmoil and the comfort found in companionship.

Performance History

Over the years, “I’ll Need Someone to Hold Me (When I Cry)” has been covered by numerous artists, each bringing their own interpretation to this timeless piece. Its performances have consistently been met with acclaim, highlighting its status as a poignant anthem of the country genre.

Cultural Impact

The song’s influence extends beyond country music, often being featured in media that explores themes of love and loss. Its universal message of seeking solace in others during difficult times has made it a cultural staple, resonating with audiences across generations.

Legacy

Decades after its release, “I’ll Need Someone to Hold Me (When I Cry)” continues to be a powerful reminder of the importance of empathy and support. Its ongoing relevance in the music world underscores its status as a timeless classic that speaks to the human condition.

Conclusion

“I’ll Need Someone to Hold Me (When I Cry)” remains a deeply moving piece that offers comfort and understanding. For those who have yet to experience its emotional depth, I encourage you to listen to Jan Howard’s rendition and let the song’s heartfelt message provide a sense of solace and connection.

Video

Lyrics

Words are cheap and I love you’s are free
So unless you mean it, you don’t spend them on me
Don’t look twice if you’re keeping score
‘Cause heartaches are high priced and I’ve paid it before
Do me with love, don’t do me wrong
You know my heart’s been broken too long
And I’ve had one too many tears to fall
So do me with love, do me with love
Or don’t do me at all
I’ve taken some wrong roads and I’ve lost track
Of lovers who gave their hearts and then wanted ’em back
So I need someone who needs someone too
But spare me the memories if you’re just passing through
Do me with love, don’t do me wrong
You know my heart’s been broken too long
And I’ve had one too many tears to fall
So do me with love, do me with love
Or don’t do me at all
Do me with love, don’t do me wrong
You know my heart’s been broken too long
And I’ve had one too many tears to fall
So do me with love, do me with love
Or don’t do me at all
Do me with love, do me with love
Or don’t do me at all

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TWO MEN. ONE SONG. AND A STORM THAT NEVER ENDED. They didn’t plan it. They didn’t rehearse it. It wasn’t even supposed to happen that night. But when Willie Nelson picked up his guitar and Johnny Cash stepped toward the microphone, something in the air changed. You could feel it — the kind of silence that doesn’t belong to a room, but to history itself. The first chord was rough, raw — like thunder testing the sky. Then Johnny’s voice rolled in, deep and cracked with miles of living. Willie followed, his tone soft as smoke and sharp as memory. For a moment, nobody in that dusty hall moved. It was as if the song itself was breathing. They called it a duet, but it wasn’t. It was a confession — two old souls singing to the ghosts of every mistake, every mercy, every mile they’d ever crossed. “You can’t outrun the wind,” Johnny murmured between verses, half-smiling. Willie just nodded. He knew. Some swear the lights flickered when they reached the final chorus. Others say it was lightning, cutting through the Texas night. But those who were there will tell you different: the storm wasn’t outside — it was inside the song. When the music faded, nobody clapped. They just stood there — drenched in something too heavy to name. Willie glanced over, and Johnny whispered, “We’ll meet again in the wind.” No one ever found a proper recording of that night. Some say the tape vanished. Others say it was never meant to be captured at all. But every now and then, when the prairie wind howls just right, folks swear they can hear it — that same haunting harmony, drifting through the dark, two voices chasing the horizon one last time.

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TWO MEN. ONE SONG. AND A STORM THAT NEVER ENDED. They didn’t plan it. They didn’t rehearse it. It wasn’t even supposed to happen that night. But when Willie Nelson picked up his guitar and Johnny Cash stepped toward the microphone, something in the air changed. You could feel it — the kind of silence that doesn’t belong to a room, but to history itself. The first chord was rough, raw — like thunder testing the sky. Then Johnny’s voice rolled in, deep and cracked with miles of living. Willie followed, his tone soft as smoke and sharp as memory. For a moment, nobody in that dusty hall moved. It was as if the song itself was breathing. They called it a duet, but it wasn’t. It was a confession — two old souls singing to the ghosts of every mistake, every mercy, every mile they’d ever crossed. “You can’t outrun the wind,” Johnny murmured between verses, half-smiling. Willie just nodded. He knew. Some swear the lights flickered when they reached the final chorus. Others say it was lightning, cutting through the Texas night. But those who were there will tell you different: the storm wasn’t outside — it was inside the song. When the music faded, nobody clapped. They just stood there — drenched in something too heavy to name. Willie glanced over, and Johnny whispered, “We’ll meet again in the wind.” No one ever found a proper recording of that night. Some say the tape vanished. Others say it was never meant to be captured at all. But every now and then, when the prairie wind howls just right, folks swear they can hear it — that same haunting harmony, drifting through the dark, two voices chasing the horizon one last time.