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MIRANDA LAMBERT SANG “CHOOSIN’ TEXAS” IN SALINAS — AND SOME FANS MAY NOT HAVE REALIZED HOW MUCH OF THE SONG WAS HERS. Lambert co-wrote the hit with Ella Langley, Luke Dick, and Joybeth Taylor. She also co-produced it with Ella and Ben West. So when Miranda sang it at the California Rodeo Salinas Big Week Kick Off Concert on July 11, she was not simply covering another artist’s No. 1. Her fingerprints had been on it from the beginning. “Choosin’ Texas” became the most-streamed song in the United States during the first half of 2026. Ella’s voice carried it around the world, but Miranda helped find the words, shape the recording, and put a little Lindale truth inside every line. It may be Ella Langley’s hit. But in Salinas, Miranda reminded everyone that part of the road to Texas began with her.

Miranda Lambert Reminded Salinas That “Choosin’ Texas” Was Never Just Ella Langley’s Story

When Miranda Lambert stepped onto the stage at the California Rodeo Salinas Big Week Kick Off Concert on July 11, 2026, she was not only performing a song that had already become a major hit. She was also returning to a song she helped build from the ground up. That detail mattered, even if some fans in the crowd may not have fully realized it in the moment.

“Choosin’ Texas” had become one of the biggest songs of the year, and Ella Langley’s voice carried it into heavy rotation across the country. But the track was also shaped by Miranda Lambert, who co-wrote it with Ella Langley, Luke Dick, and Joybeth Taylor. Miranda Lambert also co-produced the song with Ella Langley and Ben West, giving the record another layer of her creative imprint.

In Salinas, the performance felt like a quiet correction to the usual way hit songs are remembered. A song becomes attached to the voice that made it famous, and that is fair. But songs are often born in rooms where several artists leave a mark. “Choosin’ Texas” was one of those songs.

A Song With More Than One Owner of the Feeling

The story behind the song helps explain why Miranda Lambert’s presence onstage felt so meaningful. “Choosin’ Texas” did not arrive as a finished idea dropped into Ella Langley’s lap. It was co-written, co-produced, and shaped by a team that included Miranda Lambert from the beginning. That makes the Salinas performance less like a cover and more like an artist revisiting her own work in public.

The song also had a rare kind of momentum in 2026. By midyear, it was the most-streamed song in the United States, showing just how far it had traveled. Still, streaming numbers only tell part of the story. The emotional pull came from the writing: the Texas imagery, the sense of stubborn loyalty, and the voice of someone choosing home over everything else.

Why the Salinas Moment Landed

That is why Miranda Lambert singing “Choosin’ Texas” in Salinas felt bigger than a setlist choice. It was a reminder that country music often lives in shared authorship. One artist may carry a song to the widest audience, but another may have helped light the spark that made it work in the first place.

It may be Ella Langley’s hit, but Miranda Lambert made sure her own fingerprints stayed on the record.

At the California Rodeo Salinas Big Week Kick Off Concert, Miranda Lambert gave the audience something more than nostalgia. She gave them context. She showed that the road to a hit can begin long before the spotlight, and that sometimes the person behind the mic is also part of the reason the song exists at all.

In the end, the performance was not about taking anything away from Ella Langley. It was about acknowledging that “Choosin’ Texas” was built by more than one artist’s voice. And in Salinas, Miranda Lambert made that truth easy to hear.

 

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THE FINAL CHECK WAS SUPPOSED TO BE $1,000. THEN DOLLY PARTON WALKED IN AND MADE IT $5,000. When wildfires tore through the Tennessee mountains on November 28, 2016, fourteen people died and thousands of buildings were damaged or destroyed. Within 48 hours, Dolly Parton’s foundation created the My People Fund. The promise was simple: every Sevier County family whose primary home had been lost would receive $1,000 a month for six months. Homeowners qualified. Renters qualified. The money came without instructions telling families what they were allowed to do with it. For five months, the checks arrived as promised. Then Dolly appeared at the final distribution in May 2017. Families expected one last $1,000 check. Instead, she handed them $5,000. By the time the program ended, more than 900 families had received $10,000 each. A total of $8.9 million had gone directly into the hands of people rebuilding their lives. Thirty years earlier, Dolly had brought Dollywood home to create jobs. When the mountains burned, she proved the promise went deeper. She did not decide what her neighbors needed. She trusted them to decide for themselves.

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ONLY TWO ALBUMS RELEASED IN 2026 HAVE GONE PLATINUM. ONE OF THEM IS A COUNTRY RECORD — AND IT GOT THERE IN JUST 73 DAYS. Ella Langley released *Dandelion* on April 10. By June 22, the RIAA had certified it Platinum, representing one million album units in the United States. Among every album released this year, only *Dandelion* and Noah Kahan’s *The Great Divide* have reached that mark so far. That puts a country record in a very small room. For Ella, the achievement feels even bigger because this is only her second studio album. Just a few years ago, she was still fighting to be heard in Nashville. Now she has an album that reached Platinum before most records have finished their first season. And *Dandelion* was not carried by one lucky week. “Choosin’ Texas” had already taken her voice far beyond country radio, while the album showed listeners there was more behind the breakthrough than one enormous single. Platinum in 73 days does not guarantee a long career. But it proves that Ella Langley is no longer waiting outside country music’s biggest rooms. She is already standing near the center of them.

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WHEN ALAN JACKSON SANG “HE STOPPED LOVING HER TODAY” ON THE GRAND OLE OPRY STAGE THAT THURSDAY MORNING, HE COULDN’T FINISH WITHOUT TAKING OFF HIS WHITE COWBOY HAT — A FINAL SALUTE TO THE MAN LYING IN THE CASKET JUST BELOW HIM. George Jones died on Friday, April 26, 2013, at the age of 81, from hypoxic respiratory failure. He had been hospitalized since April 18 with a fever and irregular blood pressure. Six days later, thousands gathered at the Grand Ole Opry House, some lining up the night before, others arriving hours before sunrise, to honor the man they called The Possum. A wreath graced the front door of the Opry House — just like the lyric from his signature song. Vince Gill’s steady tenor cracked mid-song as Patty Loveless had to pick up the lead. Former First Lady Laura Bush, governors, and nearly every giant in Nashville spoke or sang during the almost three-hour service. Then Jones’ own recording of “When the Last Curtain Falls” played over the speakers as pallbearers carried his casket off that Opry stage one final time. He was buried at Woodlawn Cemetery in Nashville — not far from the circle of wood where his voice had lived for fifty-seven years.

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THE FINAL CHECK WAS SUPPOSED TO BE $1,000. THEN DOLLY PARTON WALKED IN AND MADE IT $5,000. When wildfires tore through the Tennessee mountains on November 28, 2016, fourteen people died and thousands of buildings were damaged or destroyed. Within 48 hours, Dolly Parton’s foundation created the My People Fund. The promise was simple: every Sevier County family whose primary home had been lost would receive $1,000 a month for six months. Homeowners qualified. Renters qualified. The money came without instructions telling families what they were allowed to do with it. For five months, the checks arrived as promised. Then Dolly appeared at the final distribution in May 2017. Families expected one last $1,000 check. Instead, she handed them $5,000. By the time the program ended, more than 900 families had received $10,000 each. A total of $8.9 million had gone directly into the hands of people rebuilding their lives. Thirty years earlier, Dolly had brought Dollywood home to create jobs. When the mountains burned, she proved the promise went deeper. She did not decide what her neighbors needed. She trusted them to decide for themselves.

Chưa phân loại

ONLY TWO ALBUMS RELEASED IN 2026 HAVE GONE PLATINUM. ONE OF THEM IS A COUNTRY RECORD — AND IT GOT THERE IN JUST 73 DAYS. Ella Langley released *Dandelion* on April 10. By June 22, the RIAA had certified it Platinum, representing one million album units in the United States. Among every album released this year, only *Dandelion* and Noah Kahan’s *The Great Divide* have reached that mark so far. That puts a country record in a very small room. For Ella, the achievement feels even bigger because this is only her second studio album. Just a few years ago, she was still fighting to be heard in Nashville. Now she has an album that reached Platinum before most records have finished their first season. And *Dandelion* was not carried by one lucky week. “Choosin’ Texas” had already taken her voice far beyond country radio, while the album showed listeners there was more behind the breakthrough than one enormous single. Platinum in 73 days does not guarantee a long career. But it proves that Ella Langley is no longer waiting outside country music’s biggest rooms. She is already standing near the center of them.

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MIRANDA LAMBERT SANG “CHOOSIN’ TEXAS” IN SALINAS — AND SOME FANS MAY NOT HAVE REALIZED HOW MUCH OF THE SONG WAS HERS. Lambert co-wrote the hit with Ella Langley, Luke Dick, and Joybeth Taylor. She also co-produced it with Ella and Ben West. So when Miranda sang it at the California Rodeo Salinas Big Week Kick Off Concert on July 11, she was not simply covering another artist’s No. 1. Her fingerprints had been on it from the beginning. “Choosin’ Texas” became the most-streamed song in the United States during the first half of 2026. Ella’s voice carried it around the world, but Miranda helped find the words, shape the recording, and put a little Lindale truth inside every line. It may be Ella Langley’s hit. But in Salinas, Miranda reminded everyone that part of the road to Texas began with her.

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WHEN ALAN JACKSON SANG “HE STOPPED LOVING HER TODAY” ON THE GRAND OLE OPRY STAGE THAT THURSDAY MORNING, HE COULDN’T FINISH WITHOUT TAKING OFF HIS WHITE COWBOY HAT — A FINAL SALUTE TO THE MAN LYING IN THE CASKET JUST BELOW HIM. George Jones died on Friday, April 26, 2013, at the age of 81, from hypoxic respiratory failure. He had been hospitalized since April 18 with a fever and irregular blood pressure. Six days later, thousands gathered at the Grand Ole Opry House, some lining up the night before, others arriving hours before sunrise, to honor the man they called The Possum. A wreath graced the front door of the Opry House — just like the lyric from his signature song. Vince Gill’s steady tenor cracked mid-song as Patty Loveless had to pick up the lead. Former First Lady Laura Bush, governors, and nearly every giant in Nashville spoke or sang during the almost three-hour service. Then Jones’ own recording of “When the Last Curtain Falls” played over the speakers as pallbearers carried his casket off that Opry stage one final time. He was buried at Woodlawn Cemetery in Nashville — not far from the circle of wood where his voice had lived for fifty-seven years.